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Last updated Mon Nov 24 08:07:35 2008.
All content © 2002-2008 Christopher Ariza, unless specfied otherwise. All Rights Reserved.


This site provides a comprehensive research resource for computer aided algorithmic music composition, including over one-thousand research listings, over one hundred system listings, cross referenced links to research, links to software downloads and documentation, and web-based tools for searching and filtering the complete lexicon.
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Anders, T. 2006. "Why Strasheela." Internet: http://strasheela.sourceforge.net/ strasheela/ doc/ StrasheelaMotivation/ index.html
Reyes, R. 2004. "Charabia.net: Génération automatique de textes aléatoires." Internet: http://www.charabia.net
Dijkstra, E. W. 1976. A Discipline of Programming. Englewood Cliffs: Prentice-Hall. Internet: http://www.walenz.org/ Dijkstra/ index.html
Dobrian, C. 1995. "Algorithmic Generation of Temporal Forms: Hierarchical Organization of Stasis and Transition." In Proceedings of the International Computer Music Conference. San Francisco: International Computer Music Association. Internet: http://music.arts.uci.edu/ dobrian/ ICMC.Form.htm
Berkowski, M. 2005. "Sound Organization and Spatialization with John Conway's Game of Life." In Proceedings of the Third Annual Spark Festival of Electronic Music and Art. School of Music, University of Minnesota. Internet: http://berkowski.net/ species/ Berkowski_gameoflife.pdf

Strasheela (Anders, T.): description
ArtWonk (Algorithmic Arts.): description
blue (Yi, S.): description
Textures Algorithmic Toolbox (Goodman, S.): description
DMIX (Oppenheim, D. V.): description

Oksholen, T. 2008. "Real-time Beethoven." Gemini: Research News from NTNU and SINTEF. Internet: http://www.ntnu.no/ gemini/ 2008-english/ 24-25.htm
Attali, J. 1985. Noise: The Political Economy of Music. Translated by B. Massunmi. Minneapolis: University of Minnesota Press.
Wishart, T. 2000. "Sonic Composition in Tongues of Fire." Computer Music Journal 24(2): 22-30.
Brodsky, W. 2003. "Joseph Schillinger (1895-1943): Music Science Promethean." American Music 21(1): 45-73.
Brown, B. 1981. "The Noise Instruments of Luigi Russolo." Perspectives of New Music 20(1-2): 31-48.

"The characteristics of every sound depend on the way in which the sound was produced. Each art-form exploits its special production methods in order to endow the phenomena with unmistakable characteristics. Artistic economy demands that the means be appropriate to the end, and that the exploitation of the means be an end in itself."
Koenig, G. M. 1971. Summary Observations on Compositional Theory. Utrecht: Institute of Sonology.

Total Systems 118
Total References 1842
