algorithmic.net
post-ut
Search
section 1
About
section 2
Resources
section 3
systems
Systems by TitleSystems by AuthorSystems by Date
resources
Resources by TitleResources by AuthorResources by Date
+

Dynamic Menu

Content Submission
Main Menu
Resource Filter
Resource Search
System Filter
System Search


Version: 2.1

Last updated Mon Nov 24 08:07:35 2008. All content © 2002-2008 Christopher Ariza, unless specfied otherwise. All Rights Reserved.

algorithmic.net
+

Introduction

This site provides a comprehensive research resource for computer aided algorithmic music composition, including over one-thousand research listings, over one hundred system listings, cross referenced links to research, links to software downloads and documentation, and web-based tools for searching and filtering the complete lexicon.

Browse systems
Browse resources
Search algorithmic.net
Learn more about algorithmic.net

+

Randomly Selected Internet Resources

Anders, T. 2006. "Why Strasheela." Internet: http://strasheela.sourceforge.net/ strasheela/ doc/ StrasheelaMotivation/ index.html

Reyes, R. 2004. "Charabia.net: Génération automatique de textes aléatoires." Internet: http://www.charabia.net

Dijkstra, E. W. 1976. A Discipline of Programming. Englewood Cliffs: Prentice-Hall. Internet: http://www.walenz.org/ Dijkstra/ index.html

Dobrian, C. 1995. "Algorithmic Generation of Temporal Forms: Hierarchical Organization of Stasis and Transition." In Proceedings of the International Computer Music Conference. San Francisco: International Computer Music Association. Internet: http://music.arts.uci.edu/ dobrian/ ICMC.Form.htm

Berkowski, M. 2005. "Sound Organization and Spatialization with John Conway's Game of Life." In Proceedings of the Third Annual Spark Festival of Electronic Music and Art. School of Music, University of Minnesota. Internet: http://berkowski.net/ species/ Berkowski_gameoflife.pdf

+

Randomly Selected Systems

Strasheela (Anders, T.): description

ArtWonk (Algorithmic Arts.): description

blue (Yi, S.): description

Textures Algorithmic Toolbox (Goodman, S.): description

DMIX (Oppenheim, D. V.): description

+

Recently Added Resources

Oksholen, T. 2008. "Real-time Beethoven." Gemini: Research News from NTNU and SINTEF. Internet: http://www.ntnu.no/ gemini/ 2008-english/ 24-25.htm

Attali, J. 1985. Noise: The Political Economy of Music. Translated by B. Massunmi. Minneapolis: University of Minnesota Press.

Wishart, T. 2000. "Sonic Composition in Tongues of Fire." Computer Music Journal 24(2): 22-30.

Brodsky, W. 2003. "Joseph Schillinger (1895-1943): Music Science Promethean." American Music 21(1): 45-73.

Brown, B. 1981. "The Noise Instruments of Luigi Russolo." Perspectives of New Music 20(1-2): 31-48.

+

Quotation

"The characteristics of every sound depend on the way in which the sound was produced. Each art-form exploits its special production methods in order to endow the phenomena with unmistakable characteristics. Artistic economy demands that the means be appropriate to the end, and that the exploitation of the means be an end in itself."

Koenig, G. M. 1971. Summary Observations on Compositional Theory. Utrecht: Institute of Sonology.

+

Statistics

Total Systems 118
Total References 1842

algorithmic.net

flexatone h.f.p.